Minigolf enacts an acoustic camera obscura or acoustic pinhole camera where a complex sound landscape of voices is pushed through a tiny hole and re-projected on the other side. It is inspired by the technique and aesthetic of the early radio plays where all effects and spatial information were created by positioning actors, singers and fooley artists around a single monophonic microphone. The tiny dot of “Minigolf” is at the same time a mouth, an orifice, a collapsed supernova and a minigolf hole where the golf ball could disappear forever.
At the same time it is an eye that observes the audience and watches over it. While spectators think to be completely separated from the ensemble they soon realize that they are being watched in real-time and that the piece itself is enacting a form of performative surveillance over them.